Carrie Owens, High
School
When I Hear Music
SATB
Michael G. Martin
Alfred
The text of this piece speaks about those people in our
lives who have touched us with music. The texture is homophonic. The harmonies traditional with a few
chromatic notes to enhance the harmonies. This is a great piece to work on the
men’s head voice and the transition from high to low. Altos will enjoy the many
suspensions in their line. Sopranos will focus their attention on the passagio.
This piece is very accessible for most high school choirs with a strong men’s
section.
Sing Dem Herrn
2-5 Canon
Praetorius arr.
Wallace DePue
Alfred
This is my “go to” piece on the years that my men’s section
is rebuilding. I have used this piece in middle school and high school and
students love it! The German text is easy to master and repetitive. This piece
can be performed in two to five parts. The biggest challenge is teaching the
transition from the canon to the ending. Once students understand the ending,
they will flourish on this piece.
Cool Moon
SATB
Richard Williamson
Heritage Music Press
This is a great piece to work on sight-reading literature
with dissonance. Most of the dissonances are approached from a unison with
oblique movement. The basses will work on approaching the head voice to match
the tenor line. Singers will need to pay careful attention to dynamics and
phrasing. This is a great piece to start the year off with your top singers to
get them listening and tuning with each other.
Choral Charisma – Singing with Expression by Tom Carter
Choral Charisma is a wonderful book to move your students
from singing notes and words and begin connecting to the music. The first idea
Tom Carter has is to create a safe environment where students are willing to
take musical risks. He then writes about emotional vulnerability, analyzing the
text, creating a singer that acts and many other topics that will breathe new
life into your classroom.
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